Inspired by a love of geometry, Elias Wakan studied mathematics and philosophy at
Stanford University. Leaving academia for adventure (and a suitable vocation), he
spent the next few years in South America, India and the Yukon. An early company
of his (FORM), concerned with spatial problems and structure, eventually led to his
designing and building an underground (earth-sheltered) passive solar house in Ontario,
where he lived with his wife, the writer Naomi Wakan, drawing from nature and making
willow baskets during an extended back-to-the-land period. Later he was accepted by
the Emily Carr Institute of Art and Design on the strength of a portfolio strong on
graphic design (including an original puzzle that he had marketed), pointillist drawings
and a form of paper sculpture that he had invented. Instead of going to art school,
though, he chose to go to Japan where he spent the next two years exploring the photography
of form and pattern.
On returning to Canada, many of his Japanese photos were used by publishers, including
several covers. His set of 100 slides on Japan and (later) his set of 100 slides on Peru,
were widely used by school boards across Canada and in the States. Elias spent the next
ten years designing and laying-out books for
Pacific-Rim Publishers,
at the same time continuing his exploration of form in a series of delicate geometric paper
sculptures (many reminiscent of the work of
Escher).
On moving to Gabriola Island, B.C., he started to translate these paper forms into wood.
He has exhibited his photographs, paper and wood sculptures at the Red Gate Gallery,
Artworks, and at his own Gallery (Drumbeg House Studio) all on Gabriola Island, the Nanaimo Art Gallery,
the McPherson Art Gallery in Victoria, Artmonsky Arts in London, England, and the J. Mitchell Gallery in Salt Spring, BC.